Compagnie Chorégraphique - Marie Desoubeaux


écritures, dramaturgies et composition du corps dansé





















Somewhere in a old (possibly French) dictionary, i found a description of choreography/choreographer as the ‘attending to all which moves on stage in a performance’.

I thought this suited my experience and how i envisioned choreographic work.

The movements of the bodies of dancers, the musicians the objects, ......their actions all working the dynamic language of movement;  their placement and their passageways through the space from one place to another.

The course is for all those who see themselves or their actions as dance-makers, in these terms; and feel they could benefit from an intensive look at choreography as the attending to all which moves on stage.

(This naturally includes those whose modus operandi is to set their arrangements beforehand as well as those who make their decisions spontaneously during the time of the performance.)



From Monday 19th
to Friday 23rd of April 2021
Duration : 5 days (35h)
From 10am to 5pm 
Studio May-B, Micadanses
15 rue Geoffroy l’Asnier 75004 PARIS

Cost : 350€  (module 2)
All set : 680€


The Choreographers courses - session 2

Students : Professional Choreographers with at least one creation experience; stage directors placing the body and movement at the heart of their researches.


Maximum of students : 15

Teaching tongue: english & french

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Registration process*




Julyen Hamilton is a dancer, a choreographer, a poet, a teacher and a musician. His teaching and performances, as well as his stage and movement approaches have been acclaimed in many countries around the world. Born in England, he grom up in Amsterdam and is now based in Gerona, in northen Spain.Trained in a period of experimentation in London in the mid-70s , he has constantly made work from a radical point of view.
His work, both in company and solo, develops dance for the theatre - a place where an atmosphere of transformation, insight and understanding is permitted without resort to thin conclusions. In this ambience dancers and light designer are directed to compose pieces instantly; we practise a process of improvisation in rehearsal and in the moment of performance. Read more