Compagnie Chorégraphique - Marie Desoubeaux


écritures, dramaturgies et composition du corps dansé


















 

Maya M. Carroll | The Instrument – In the Heart of Choreography

This course offers open-ended approaches to dance making and choreography; while welcoming and engaging with insights and perceptions through our movement blueprint, space and time.

A through-line in the work is the co-emergence and intertwining of improvised and set materials, as allowing a richness of choice taking and layering of configurations and content.

Extending further we would aim to deepen and intensify certain connections between what we absorb, are touched by in our lived - surroundings, and the worlds we create with our dances.

All of which allows us to reach-in and touch an essence of powerful fascination and imagination alongside our perspectives and widened view within a creation process.

The workshop is for those who are interested in making, directing, performing and staging dance as a live art-form (performed to an audience or to a camera).

Groups constellations, creative writing and observing one another's process; will be integrated and guided throughout the course.

From Monday 15th
to Friday 19th of March 2021
Duration : 5 days (30h)
From 10am to 4pm
Studio May-B, Micadanses
15 rue Geoffroy l’Asnier 75004 PARIS

Cost : 350€
  (module 1)
All set : 680€


Students : Professional Choreographers with at least one creation experience; stage directors placing the body and movement at the heart of their researches.

Maximum of students : 15


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Registration Process*




Maya Matilda Carroll is an independent choreographer, performer, mentor and teacher, based in Berlin since 2004. In the past fourteen years Maya has created over 30 works from solo to extended group pieces. She has collaborated with artists and performers from diverse backgrounds; dancers, visual artists, poets, musicians, actors, opera singers, stage and light designers. Maya has been making dance independently as well as being commissioned to create pieces for state theaters, independent companies and dance academies. Her work is anchored in the meeting point between the tangible and imagined; reality and myth, drawn from and towards the limitless expression of the dancing body. Read more